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Music --- Music and literature --- Romanticism in music --- Musique --- Musique et littérature --- Romantisme dans la musique --- Philosophy and aesthetics --- Philosophie et esthétique --- Romanticism in music. --- Musical criticism --- Music critics --- Music and literature. --- Musique et littérature --- Philosophie et esthétique --- Musical criticism - France. --- Music critics - France.
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Music and society --- Musique et société --- Muziek en maatschappij --- Music --- Great Britain --- 19th century --- History and criticism --- 78.29.1
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muziektheorie --- Music --- uitvoeringspraktijk --- muzieksociologie --- muziekgeschiedenis --- muziek --- elektronische muziek --- esthetiek --- anno 1900-1999 --- Analyse musicale --- Music and science --- Music and society --- Musical analysis --- Musique et science --- Musique et société --- Muziek en maatschappij --- Muziek en wetenschap --- Muzikale analyse --- Musique --- History and criticism --- Philosophy and aesthetics --- Psychology --- Acoustics and physics --- 78.81
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Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- School music --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Instruction and study --- Composition
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The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography
Violin music --- Historyand criticism --- Music --- violen --- instrumentenleer --- muziekgeschiedenis --- History and criticism --- Violin --- Fiddle --- Bowed stringed instruments --- 518 --- Instrumentenkunde: overige instrumenten --- Organologie --- Violon --- Violon, Musique de --- Histoire et critique --- Violin music - Historyand criticism
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Legs Homès - Van Schoor
Fantasy in art. --- Arts, European. --- Arts, European --- Fantasy in art --- European arts --- Art --- anno 1700-1799 --- anno 1800-1999 --- Histoire de l'art --- Littérature --- Musique --- Peinture --- Art, Modern --- Art appreciation --- Themes, motives --- Thèmes, motifs --- Appréciation --- Roberts-Jones, Philippe --- Themes, motives. --- Art moderne --- Imaginaire
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The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. For a century and a half Chopin's music has been played incessantly, yet the spell remains, and the 'Chopin recital', whoever the pianist, still fills the concert halls. This Companion is designed to provide the enquiring music-lover with helpful insights into a musical style that recognises no contradiction between the accessible and the sophisticated, between the popular and the significant. On the uniqueness of that style there has long been agreement. One of the aims.Of this Companion is to identify some of its sources, referring both to the social history of early nineteenth-century piano music (chapter 1) and to the music of Chopin's predecessors (chapters 2 and 3). The early music and the growth to stylistic maturity are examined in chapter 4. Part 2 of the Companion profiles some of the mature music in a language designed to be intelligible to the interested layman as well as to the musician. There are re-evaluations of Chopin's.Most 'epic' statements (chapter 5) as well as his most 'epigrammatic' (chapter 6). There is an account of his relation to Polish folk music in the dance pieces (chapter 7) and there is a fresh look at one of the more controversial aspects of his art, his handling of the sonata (chapter 8). Several facets of the afterlife of Chopin's music are examined in part 3. There is reception through performance (chapter 9), reception through criticism (chapters 10 and 11) and.Reception through compositional influence (chapters 11 and 12). As these later chapters indicate, Chopin's art left its mark both on the Trivialmusik of the later nineteenth century and on the emerging Modernism of the new century.
Chopin, Frédéric, --- Chopin, Frédéric, --- Criticism and interpretation --- Piano music --- Composers --- Compositeurs --- Piano, Musique de --- History and criticism --- Histoire et critique --- Chopin, Frederic --- -Chopin, Frederic --- Chopin, Frédéric --- Chopin, Frédéric, - 1810-1849. --- Chopin, Frédéric, - 1810-1849 - Criticism and interpretation --- Chopin, Frédéric, - 1810-1849 - Piano music --- Chopin, Frédéric, - 1810-1849
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Lully, Jean-Baptiste --- Opera --- Ballet --- Music --- Dramaturgy --- Opéra --- Musique --- Dramaturgie --- History --- History and criticism --- Histoire --- Histoire et critique --- Lully, Jean Baptiste, --- Dramaturgy. --- Opéra --- EPUB-ALPHA-J EPUB-DNU-FT DNMUSIQ EPUB-LIV-FT LIVMUSIQ DNU-GEN DIGITHEQUE-B --- Art nouveau (Architecture) --- Paris (France) --- Buildings, structures, etc. --- Constructions --- Lulli, Giovanni Battista --- Art Nouveau --- Architecture --- Paris --- Lully, Jean-Baptiste, --- Lully, Jean Baptiste, - 1632-1687 - Operas --- Lully, Jean Baptiste, - 1632-1687 - Ballets --- Lully, Jean Baptiste, - 1632-1687 - Dramaturgy --- ARCHITECTURE --- ART NOUVEAU --- ARTS DECORATIFS --- EXPOSITION INTERNATIONALE (1900 ; PARIS) --- GUIMARD, Hector (1867-1942) --- JOURDAIN, Frantz (1847 - 1935) --- MEUBLES --- PARIS (FRANCE) --- SAUVAGE, Henri (1873 - 1932) --- FRANCE --- 18e SIECLE --- Lully, Jean Baptiste, - 1632-1687
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Industrial and intellectual property --- Burgerlijk recht --- Colloques --- Colloquia --- Droit civil --- Electronique --- Elektronica --- Musique --- Muziek --- 347.781.03 --- 316.774.16 --- Copyright --- -Copyright licenses --- -#SBIB:309H1015 --- #SBIB:309H141 --- License agreements --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Nabootsing. Reproductie. Fotocopie--(auteursrecht) --- Massamedia: maatschappelijk, politiek, ideologisch, ethisch, juridisch, socio-cultureel--(communicatiesociologie) --- Music --- -Congresses --- Congresses --- Media: politieke, juridische, ethische, ideologische aspecten (incl. privacy) --- Organisatorische aspecten van de fonografische industrie --- Licenses --- Law and legislation --- Copyright licenses --- Congresses. --- 316.774.16 Massamedia: maatschappelijk, politiek, ideologisch, ethisch, juridisch, socio-cultureel--(communicatiesociologie) --- 347.781.03 Nabootsing. Reproductie. Fotocopie--(auteursrecht) --- #SBIB:309H1015 --- Music&delete&
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Music --- Opera --- Musique --- Opéra --- History and criticism --- Histoire et critique --- France --- History --- Art and the revolution --- Histoire --- Art et révolution --- -Revolutionary music --- -Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Congresses --- -Songs and music. --- Revolutionary music --- Congresses. --- -Congresses --- -Art music --- Opéra --- Art et révolution --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- France (Provisional government, 1944-1946) --- Songs and music --- 78.26 --- Art and the revolution. --- Fa-lan-hsi --- Falanxi --- Frankrijk --- Frant︠s︡ --- Frant︠s︡ Uls --- Франц --- Франц Улс --- 法蘭西 --- 프랑스
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